Padauk: Myanmar Spring takes the viewer to the streets of Myanmar during the heady days following the February 2021 military coup. Through Nant, a young, first-time protester, we meet three human rights activists whose lives have been turned upside down by the coup.
As the protests continue, Nant comes to understand the truth of a brutal regime that has continued to wage war against its own people for decades. Against a foreboding backdrop, Nant’s political awakening regarding the plight of others in her ethnically diverse country gives hope for the future.

Sittwe is about two teenagers separated by conflict and segregation in Burma's Rakhine state, Phyu Phyu Than, a Rohingya girl and Aung San Myint, a Buddhist boy. Both youth saw their homes burned down during communal violence in 2012.
Interviews filmed over two years with the teenagers reveal their ideas about each other's communities and the hope of reconciliation.
Sittwe was produced as a tool for facilitated discussions about peacebuilding in Burma. The film was due to premiere in Yangon at the Human Rights, Human Dignity Film Festival but was banned by the government censors.

This Kind of Love follows Burmese human rights and LGBT activist, Aung Myo Min, as he returns home after 24 years in exile. Set against Myanmar's historical transition from half a century of brutal military rule, Myo shares his vision for equality for all - from children to transgender people, to ethnic nationalities with his countrymen, to be part of his homeland's emergence from the darkness of dictatorship.

In July 2023, he visited Myanmar for a month, captured peaceful-looking places in Yangon with his camera and practiced Vipassana meditation. The streets of the city, Yangon University, the British Burma Office, Aung San Suu Kyi's house, the infamous political prison, golden temples, and the dark inner world. In Myanmar, where military oppression and the tranquility of meditation coexist, he opens his eyes and closes them.

It is not a one-to-many Q&A with an author or expert, but a round conversation among the audience, made up of speaking and listening. The audience, who used to look at the screen, now sit together and look at each other. Rather than learning someone’s opinion, discussing, or making judgments, one utters their subjective feelings, listens deeply, and experiences personalized learning that naturally emerges.